![]() ![]() There are also acts making dreamy, atmospheric music with a solid dose of funk, such as Khruangbin ’s global sonic collage. Funk and disco-centered '70s revival is definitely having a moment, with acts like Ghost Funk Orchestra and Parcels, while its sparkly sprinklings can be heard in pop from Dua Lipa, Doja Cat, and, in full "Soul Train" character, Silk Sonic. G-funk continues to influence Los Angeles hip-hop, with innovative artists like Dam-Funk and Channel Tres bringing the funk and G-funk, into electro territory. There's nu-disco and boogie funk, nodding back to disco bands with soaring vocals and dance floor-designed instrumentation. Today, funk lives in many places, with its heavy bass and syncopated grooves finding way into many nooks and crannies of music. The sound influenced contemporaneous hip-hop, funk and electronica, along with acts around the globe, while current acts like Chromeo, DJ Stingray, and even Egyptian Lover himself keep electro-funk alive and well. ![]() A key distinguishing factor of electro-funk is a de-emphasis on vocals, with more phrases than choruses and verses. In the 1980s, electro-funk was born when artists like Afrika Bambaataa, Man Parrish, and Egyptian Lover began making futuristic beats with the Roland TR-808 drum machine - often with robotic vocals distorted through a talk box. Both Collins and Clinton remain active and funkin', and have offered their timeless grooves to collabs with younger artists, including Kali Uchis, Silk Sonic, and Omar Apollo and Kendrick Lamar, Flying Lotus, and Thundercat, respectively. Legendary funk bassist Bootsy Collins learned the power of the one from playing in Brown's band, and brought it to George Clinton, who created P-funk, an expansive, Afrofuturistic, psychedelic exploration of funk with his various bands and projects, including Parliament-Funkadelic. Of course, many other funk acts followed in the '60s, and the genre thrived in the '70s and '80s as the disco craze came and went, and the originators of hip-hop and house music created new music from funk and disco's strong, flexible bones built for dancing. As David Cheal eloquently explains, playing on the one "left space for phrases and riffs, often syncopated around the beat, creating an intricate, interlocking grid which could go on and on." You know a funky bassline when you hear it its fat chords beg your body to get up and groove.īrown's 1965 classic, "Papa's Got a Brand New Bag," became one of the first funk hits, and has been endlessly sampled and covered over the years, along with his other groovy tracks. The Godfather of Soul coined the phrase and style of playing known as "on the one," where the first downbeat is emphasized, instead of the typical second and fourth beats in pop, soul and other styles. Recommendations: If you run into any CPU issues, we’re using a 3rd generation Intel i7 at around 10% here so make sure to use Ableton's freezing function and resampling techniques if you have trouble running the project.It's rare that a genre can be traced back to a single artist or group, but for funk, that was James Brown.Drums: All Drum Samples are part of this zipped project.VST Plugins: No external Vst plugin Required.Software, DAW: Ableton Live 10.1 Suite or higher.Pedro Capo ft Farruko - Calma Ableton Remake Audio Both fully Mixed and Mastered, ready for you to download and start playing it! Reggaeton Style samples for beginners are included, with a full arrangement Beat. The Template was made for Ableton Live 10.1 m aking use of Stock FX and Stock Instruments, with no external Vst Plugins required. ![]() A detailed Remake deconstructed version of Calma Remix, a great hit song by Pedro Capo featuring Farruko, and released by Sony records. A track with a lot to learn about Bass Drops, Build-ups, Tempo Changes, Sub Basses, Synths, Song Structure, and many more of modern Reggaeton Music Production Elements.
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